Statement 


In my last project I had been working on natural forms, and concentrating on only using media I found myself (hence why many of the paintings are on stones or scraps of wood), or if that wasn't feasible I would work on second hand materials either from a charity shop, or from other similar organisations. The purpose of this was to send a message and trigger thought to the people around me about different uses for the things that would ordinarily have been thrown away such as the old bookcase I turned into a skull study. Because I had such success with this project and learnt so many new techniques and processes by adapting to different medias I have started a new project with the same similar guidelines (only second hand or 'found' materials to be used throughout the whole project).

Currently I am putting down the foundations for a new project I am starting based on the different landscapes and buildings around the area I live; There is an abundance of abandoned places (abandoned and trashed houses, a derelict abbey and other decaying buildings) and I am going to document the growth, beauty and nature which thrives and grows in the spring time inside these notoriously creepy sites. I am trying to expand and broaden the ways that people see things by painting them in a new light, showing the positive things people tend to overlook such as nature and wildlife re-claiming it's land when a building is left.

I am still developing different skills and I love to learn new and exiting techniques, so I am always researching different artists and incorporating the way they work into my own projects. This can send me into different directions, for example; in my last project I mixed the illustrative style of an artist called Hannes Hummel with the traditional painting techniques of an artist Joris Hoefnagel to produce a strange but exiting combination of completely different styles and genre's of art.




Beth Greenwood
Mixed media A1 observational studies
Coffee, Indian ink, quink ink, bleach, newspaper collage, procean dyes and emulsion
November 2014

Beth Greenwood
Approx 20cm long and 7cm wide
Observation painting of mackerel on to beach wood
Acrylic paint and varnish
August 2014





Beth Greenwood
Miniature observational flower painting on to a stone 
About 2 inches in Diameter
Acrylic paint
August 2014


Beth Greenwood
Observational Painting on natural forms project
watercolor paint mixed with acrylic and varnish (for insects)
Fine liner, watercolor paint and acrylic (for skull)
Painted on a recycled table top and worked into with an etching tool.
December 2014
Diameter approx 1 meter

This painting was part of many pieces based on natural forms on recycled material. The wood was bought from a second hand shop along with the paint, varnish, brushes and fine liners. The composition and components of the paints represent some mythical symbolic meanings regarding the circles of regeneration and referencing rituals.


Beth Greenwood
Kings College observational drawing
A3 Sketchbook research 
colored pencil and fine liner
September 2013



Beth Greenwood
Observational drawing of Ely Cathedral
 A3 Sketchbook research work
HB pencil, 0.1, 0.3 and 0.5mm fine liners
29/09/2009



Beth Greenwood
Observational shoe study
A3 sized Acrylic paint
October 2013


Beth Greenwood
pointillism drawing on a watercolor wash
Part of a 'recycled wood' collection of drawings
0.1, 0.3, and 0.7mm fine liners


Beth Greenwood
Detail shot of the same pointillism drawing
Work in progress
17 Jan 2015
1 and a half meters long, half a meter wide

I had been working on a collection of pieces, both painted and observationally drawn based on the natural world, using only recycled materials. All of the pens I used in this drawing were bought second hand from a charity shop, and the wood was from an old bookcase given to me by a family friend. 


Beth Greenwood
Life drawing
White and black pencil on brown paper sketchbook
10 minute sketch - December 2014
A4


Beth Greenwood
Life drawing
HB pencil, 6B Pencil and charcoal onto watercolor sketchbook
30 minutes
A4




Beth Greenwood
Watercolor, coffee, pencil acrylic and ink painting on card
Developmental study
Jan 2014
A4



Beth greenwood
Watercolor, coffee and ink painting on card
Developmental study
Jan 2014
A4

Two paintings from a collection of natural life watercolor and mixed media  paintings I created directly from observation. The geometric shapes in the background were inspired by an illustrator and sparked off a project which involved experiments and research about how the brain subconsciously appreciates symmetry.




Beth Greenwood
Acrylic seascape painting 
2012 - A3 painting on card
Painted from sketches and photographs inspired by other seascape paintings.